Oiling out and Sinking In: An Interview with Michael Harding By Abigail Lashbrook Topics: Artist Interview Oiling out is just a part of the process for a lot of artists, but if it’s overdone it can damage the quality of your painting, and frequently the need to oil...
MH Sample Set The Michael Harding Set Contains: Warm White No. 137 Yellow Lake No. 119 Scarlet Lake No. 205 Ultramarine Blue No. 113 These sample colours have been hand-selected by Michael Harding to give you a beautiful introduction to the endless mixing...
About Linseed Oil Cold Pressed vs. Refined Linseed Oil and Its Drying Process IMPORTANTÂ Safety Information Rags with linseed oil or paint stored in a pile should be considered a fire hazard because they provide a large surface area for oxidation. The oxidation of...
Details & Descriptions of Colours This section gives assessments for certain determinable characteristics of all the colours presently in my range, as well as a few informal remarks on their qualities and idiosyncrasies when used. Following the pattern...
1. Light and Pigment Compared Painting technique is a dauntingly large and rather vague subject to discuss. We could provisionally define ‘technique’ as the skills involved in accomplishing a specific artistic intent. But this leaves the notion of ‘artistic intent’...
