Demonstrating Flesh Tones using Michael Harding Series 3 to 7 Oil Colours, by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s series 2, 4, 5, 6 and 7 oil colours to discover how to mix flesh tones.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s series 2, 4, 5, 6 and 7 oil colours to discover how to mix flesh tones.
British Plein air artist and tutor Vicki Norman experiments with, and compares, Michael Harding’s Neutral Grey and Vine Black oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Quinacridone Rose oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Italian Green Umber oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Deep Purple (Dioxazine) oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Lead Tin Yellow Light and Lead Tin Yellow Lemon oil colours.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Italian Brown Ochre, Transparent Oxide Red, Transparent Oxide Brown, Burnt Umber and Vandyke Brown.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Amethyst Oil Colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Cobalt Teal Oil Colour.
Ricky provides Michael the grand tour of his NJ based studio and life time of paintings. He started in high school under the tutelage of his most treasured teacher, Max Ginsburg.
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