Demonstrating Flesh Tones using Michael Harding Series 3 to 7 Oil Colours, by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s series 2, 4, 5, 6 and 7 oil colours to discover how to mix flesh tones.
Vicki Norman compares Michael Harding’s Neutral Grey and Vine Black
British Plein air artist and tutor Vicki Norman experiments with, and compares, Michael Harding’s Neutral Grey and Vine Black oil colour.
Michael Harding’s Quinacridone Rose demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Quinacridone Rose oil colour.
Michael Harding’s Italian Green Umber demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Italian Green Umber oil colour.
Michael Harding’s Deep Purple demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Deep Purple (Dioxazine) oil colour.
Vicki Norman compares Michael Harding’s Lead Tin Yellow Light and Lead Tin Yellow Lemon
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Lead Tin Yellow Light and Lead Tin Yellow Lemon oil colours.
Michael Harding Paints, Comparing Browns demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Italian Brown Ochre, Transparent Oxide Red, Transparent Oxide Brown, Burnt Umber and Vandyke Brown.
Michael Harding’s Amethyst oil colour demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Amethyst Oil Colour.
Michael Harding’s Cobalt Teal demonstrated by Vicki Norman
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Cobalt Teal Oil Colour.
Question Regarding Vermillion
Question: Could you give me some information on the binder and its percentage to pigment. Amazed and very pleased to see that you are manufacturing genuine Vermilion. Before I buy, could you give me some information on the binder, and its percentage to pigment, and also any other additions? — Many thanks, L.H Michael: From your questions, […]
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