Artist And Illustrator magazine featured a piece from Michael about the use and care of his paints; you can read it here: How should I store my oil paints? Because pigments are heavy they can often sink within the oil and therefore separate. To avoid this store your oil paints cap down thus permitting the […]
Read MoreI use Michael Harding Oil paint because of the vibrant colour range. The quality of the ground pigments and the right amount of oil means I do not have to add any other medium to the paint to get the buttery consistency I enjoy working with.There are no driers in the paints which is fine […]
Read MoreWatch renown artist Quang Ho discuss his way of working and his love for Michael Harding oil paints. An exclusive private interview, filmed in San Diego 2017.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Pale Violet oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Green Gold oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Permanent Green Light oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s Permanent Orange oil colour.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s series 1, 2 and 3 oil colours to discover how to mix flesh tones.
British Plein air artist and tutor Vicki Norman experiments with Michael Harding’s series 2, 4, 5, 6 and 7 oil colours to discover how to mix flesh tones.
British Plein air artist and tutor Vicki Norman experiments with, and compares, Michael Harding’s Neutral Grey and Vine Black oil colour.